incl. matthias tanzmann rmx !! maximum impact 12inch on audioflyÆs supernature ! loved by everybody ! audioflys supernature continues its 2010 campaign in style with take control, the brand new single from one of germanys finest ascendant talents in house music, alex niggemann. backed with a remix from the indomitable matthias tanzmann, take controlis niggemanns finest work yet and a testament to the young producers talent for creating fresh, simple, contemporary house music with impeccable dance floor credentials. having forgone much of his life outside of music to hone his craft in the past five years, the berlin-based d³sseldorf-born dj/producer more than deserves his success and its certainly on the way as many of his more established peers line up to tip him as one to watch. buoyant, energetic and bottom heavy take controlbegins with a maurizio-esque, stripped groove which is slowly and steadily built with carefully programmed percussion.

the final part to the limited edition hi five mobilee! vinyl series features tracks from mobilees head lady, anja schneider, and one of the very first artists on the mobilee roster, sebo k. each of the artists careers have grown and flourished with the label, and whilst retaining many elements from their signature styles, these tracks also show how they have developed their sound over the last five years. sebo ks way back comes with a funky house bass line and colorful synths, creating a very full and warm sound, and one that is topped with an element of old school vibes. as with all of his releases, its classically built for the dance floor and one that will be enjoyed by many. meanwhile, anja schneiders >something left<, has a more minimal and isolated feel to it, broken up with the soulful voice of cari golden. completely contrasting to sebo ks a side, it makes this an interestingly varied release!

with our number 4 we completed the circle, releasing a seleccion natural gem on any of our producers team labels. now its number five and we have decided to release our next works under the same flag: pole.

following on from their own ep, the latest offering from hanuman and atki2s steak house imprint sees baobinga, poirier and a host of mcs join the steak house family. steak 003 sees the label moving into bashment territory with the original bass music badman baobinga serving up three prime cuts of juicy vocal raggastep. backed by a remix by karnival king poirier, this record is crammed full of party heat. sam baobinga has been one of the most important producers on the british music scene over the last five years. with releases on labels such as soul jazz, ninja tune and positiva as well as his own build imprint and remixes for artists like guru, the ragga twins, and the wu tang clan, baobinga has consistently reinvented and reshaped his sound and stayed several steps ahead of the game. this release sees binga push his heavy raggastep sound, bass heavy vocal bashment with a nod to the lush full synth sounds of future garage and featuring original voicings by some of the uks hottest mcs. fire!

scott ferguson with another deep 3 tracker inspired by moodymanns kdj and theo parrishs sound signature labels. side a takes dance floors on a bouncy, 120 bpm, southbound ride filled with clattering high hats, punchy drums, somber vocal samples, and deep chords. the b side is a deep & soulful ferguson/belton collaboration that spans the entire length of the record. a compelling mixture of dark chords, deep sub-bass, and ensnaring vocals, this late-night banger will keep dancers flowing and heads fascinated, right up until the very end

return of the famous label with the 6th release. it includes tracks of fer br, preach, cesar almena and a colaboration work of ivan devero & nuke. the result is excellent, a very cool release with high quality sound. all tracks were made to dance. all tracks are 100% techno but they are very different: funk techno, groove and new tech are the sounds youll find in this release. its the release youll hear on all dancefloors this summer. enjoy it!!

part 2 of the limited edition vinyl series for the >hi five mobilee< compilation is quite a contrast to its predecessor with more hip swingin housey vibes. moon harbours daniel stefanik first appeared on mobilee at the very early stages of the label, with his track >the bells< on the limited edition add-on release to pan-pots >obscenity< ep. back then his style was associated with old school sounds, detroit energy and chicago vibes, and his track for mobilee068 >tripiando los colores< shows that hes still rocking this to full effect. this is one for the summer! on the b-side of this release, label stalwart marcin czubala brings us >spinning la roulette<, which is sure to get the dance floor moving! straight in with a very funky bassline, playful percussion and hypnotic groove, it offers guaranteed fun on a plate. his recent release with hugo, zoo communale, stormed the charts and we hope you enjoy spinning la roulette in the same way!

destruction records presents his first various artists release >dynamite sounds< with five great artists like: jason little, dj hammond, x-tension (stormtrooper and thomas nordmann), sam silva and zheta.four different tracks, four different styles. banging hard techno!

a few times a year, a label releases a single that rocks the industry and the upcoming release from hidden recordings does just that. gregory shiff, who has also released off of such high caliber labels as stewart walkers persona label in berlin, produced the original and the label enlisted techno luminaries adultnapper, tony rohr and pheek, along with deepak sharma and dieter krause to add remixes to put together a five track monster that will, and should be in the crates of djs around the world for the rest of this year and beyond. the best part about the release? the remixers brought their a-game and put forth effort that has helped make them some of technos most revered producers and artists. simply put, all five tracks rock and will pound the dancefloor

and last but certainly not least. the fifth episode to complete the five releases in the run up to the much anticipated 10 years of clr compilation. hold on to your hats people. the final finale, chris liebing presents his very own contribution to this 10 year anniversary compilation.

>central< is the first new technasia album in five years - and sure to be one of the musical highlights of 2010. the much-anticipated lp is powerful testimony to why technasia is one of the most respected acts in electronic music. taking its name from the hong kong metro system, >central< is an emphatic creative statement that marks a new milestone an evolving story. technasia mainstay charles siegling was in no hurry to put out an album: >i wanted to give my music time to evolve artistically before making a new record.< the result of his patience is the purest technasia album to date - a seamless interweaving of sounds, styles and moods.

slamming remix package with hot mixes coming from riva starr , jeff mills and freeform five

five tracks in pic sleeve on textured paper w/inner bag listing track details. recordings from late 90s to 2009 in a variety of styles encompassing the things he does. mostly typical kdj house, with some nice analogue synth work, an analogue >noise< track, and a jazz piece. contains extra vinyl crackle between the tracks to go with the title. check!

this is the 3rd release for the labels 10 years anniversary release cycle. mixed and edited by chris liebing himself these releases are taken exclusively, and are released individually, as a five part set in the run up to the 12 track album release. the first track to drop on the a-side is by none other than chris liebings closest friend, collabs sessions partner, and studio mentor, speedy j.

and.id is an artist whose musical talents are impressively far-reaching, as his recent installment of the back to back series with jazz interpretations of mobilee classics powerfully brought to everyones attention. after a long spell in the studio with his b.a.n.d and a variety of instruments, and.id has gone solo for his next project, i will be there, and hes taking us back to the dance floor where he is equally at home, as his other releases on mobilee such as first talk have shown. title track i will be there lands heavily with a punching kick drum and there is little release before the bass and groove come in, meanwhile b1:five brings back and.ids signature jazzy sounds with some melodic pianochords. b2:erotica brings all of the elements together with a strong melodic bass line and punch kick, making it the stand out track of the release. tthere is something for everybody in this package and it will definitely get you moving….enjoy!

to celebrate the birthday we are releasing a series of five singles, available on 10 inch vinyls (1-5). the series will be followed by the huge 10 years clr compilation with a special collectors artwork. it has been mixed and edited by chris liebing and all the 10 tracks, which appear on the singles and later on the compilation are exclusive and specifically produced for this purpose. chris liebing and green velvet teamed up for the first time pretty much by accident. dustin zahn actually became some kind of obstetrician when he started this mash-up. alex bau is known as one of the long time clr artists and obviously had to contribute a track to the series. both tracks are road tested and guarantee serious damage on the dancefloors

mild pitch installment number five brings us dplays long awaited >samoah ep<! causing a massive stir with >huub sand< on gerd jansons beloved running back label last year, the mild pitch co-founder returns with a groovy homage to his pacific neighbourhood of essen-gerschede where he develops his unique style between palm trees, white beaches and the autobahn 42.

after five weeks of performing and traveling around brazil, long-term dfa stalwart gavin russom returned home with not only a love for the music he’d discovered there - carioca funk, atabaque drumming, tropicalia, south american-style rave.

fatima drops her first official solo release. after featuring on many of last years biggest tracks including shafiq husayns lil girl, floating points peroration five, tettorybads unite ,funkinevens, kleer as well as live collaborations with i.g cultures zen badizm workshop, the floating points ensemble and not to mentioned a recent live p.a. with slum village, its plain to see why the london resident is in such high demand. this 12 features production from the likes of dam funk, veebeeo and funkineven, and is an eclectic journey through the thoughts of this 24 year old, swedish born, east london based star. check!!

more ruff jamz from the 6th borough project bunker kicking off with the supa-dupa-slo-mo-soul cut, >slow down baby<, with chopped up strings and heroin-house bassline all present. the flip brings us >closer< to the edit and pitches us nearer the holy grail of tempos. >stratus quo< gives us tracky rhodes action on the intro and sends us a message in the music. number five is alive.

lunar disko records presents a stunning debut ep by texas producer, submersible machines. five beautifully crafted electro-techno tracks for lovers of the deep... the tranquil >upwelling< introduces the ep, deep pads, warm melodies, and supreme 808 programming prevail this outstanding opening track. >when whales fall< submerges you into even more mysterious melodies and curious sounds from the deep. the aquatic >blue hole< concludes the a-side, delicate twinkling melodies, precise 808 beats, and an analog acid bassline which will have you lost on a journey into the depths of the oceanic abyss. the flipside offers two more cuts of equal quality from this new talent from the third coast... >braving the benthic< opens the b-side with its bubbly and pulsating bassline, while expertly blending more intricate analog sounds to create another timeless track. finishing the ep is >cold seep<, combining both the 707 & 808 to brilliant effect alongside an inducing chi-town bassline, and a deep mysterious string which sweeps over the track perfectly...

three tracks : 3 killers !!! word!

this man cant currently be stopped. following his releases through the 2nd season 2009 (>marvin” on compost, >smaul 06< & >smaul 07<) in january 2010 acid paulis >riverboat tour< came out. now, it seems he opens this years summer season with these two psychedelic thrilling tracks. even though he had been touring a lot with the notwist last year, acid pauli was pretty often an invited, musically refreshing guest in berlins minimal techno (what ever) scene. den mahlstrom rauf leaves no doubts about. great build up he does by keeping tension over five minutes to unlash finally the madness charge with a levitating reverse-ducking-compressed melody. den mahlstrom runter (a play on words of travelling on a boat and getting milled…) seems to be the return from the trip he gives on side a. it is the same track reworked. his musical drama goes faster but deeper under the cortex – but >how lucky a fate< deliverance comes at right time taking the track over to a known housy and deep realm.

to celebrate the birthday we are releasing a series of five singles, available on 10 inch vinyls (1-5). the series will be followed by the huge 10 years clr compilation with a special collectors artwork. it has been mixed and edited by chris liebing and all the 10 tracks, which appear on the singles and later on the compilation are exclusive and specifically produced for this purpose. chris liebing and green velvet teamed up for the first time pretty much by accident. dustin zahn actually became some kind of obstetrician when he started this mash-up. alex bau is known as one of the long time clr artists and obviously had to contribute a track to the series. both tracks are road tested and guarantee serious damage on the dancefloors!

limited collector box set that holds a best of rick wade deluxe cd, five 12inchs (of which two are exclusive to this set, one will not be released for a while, the other one only available in this box) and a collectors car freshener tree. this special limited to 200 copies collectors box holds the three previously released harmonie park revisited 12inchs, plus a fourth one, which wont be available any other way for a while. it also includes an exclusive 12inch to this box, containing both the vox & instr. mix of >crazy luv< (new track). extra bonus item is a car fresheners tree in the shape of the harmonie park logo.

position your television antennas correctly and adjust the tracking on your beta player, because the new ep from college is making its way through high frequency airwaves and into our living rooms. college, valeries main man, with a five track episode into 80s nostalgia which plays like a pseudo soundtrack - featuring the airy vocals of electric youth on the title track. limited edition of 300, hand numbered copies.

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

rotterdams legendary discohouse producer mark du mosch presents his debut release for cyber dance records in the shape of the cold sweat ep. consisting of five outstanding tracks that take us from the near italo disco bliss of now or never to the classic dutch lo fi electro sounds of revenger, on to the searing intensity of the system and the title track then rounded off beautifully with the deep chi house vibes of satical, this is not an ep to be missed. already getting rotation plays on intergalactic fm and called by moustache label impresario david vunk one of the best techno records of the year, we cant speak highly enough of this totally rocking record.

moscow aka matthew nicholas waites is a brightest hope of new disco scene. matt have started his producer career as nightmoves. its his remix work project and he has provided the remix for klaxons, van she, robbie williams,freeform five vs mylo, roisin murphy and more. in 2008, matt started moscow project to make deeper, atmospheric music and made the two remix for mighty thisisnotanexit label, the remix was supported by aeroplane and namea few. this >throw up ep< is a long awaited debut single as moscow. original version is a bumping acidy boogie disco stuff and brontosaurus aka artom wambe remix is housy and deeper, its for all round.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

animal collective are set to release a new five track studio ep on 11th december. recorded by ben allen at sweet tea in oxford, ms in february 2008 and at mission sound in brooklyn, ny august 2009, fall be kind includes recent live favourites graze and what would i want? sky (featuring the first ever licensed grateful dead sample). fall be kind will be available worldwide on cd, 12 inch vinyl and via digital download. the ep comes less than one year after the bands critically acclaimed album merriweather post pavillion which wowed fans and critics across the globe. merriweather has already been named one of the most important albums of the year by q magazine and spin in the us, and of the entire decade by uncut and pitchforkmedia!

no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

skanked up and ready for the floor, this is a slice of what exploited is all about - fun but jacking club wares.

after three smashing va samplers, dutch based aftertaste recordings launches its first full ep in a series of limited gold vinyl releases. steven fallows aka >casual violence<, also appearing on latest aftertaste 12inch (ctrl del alt ep) has the honor to kick off. with >why so few ep< a dark and sinister story is told, consisting of five individual chapters. for those who thought proper pounding and industrial techno wasnt made anymore, do not fear, britain delivers something massive again..

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

jetzt erscheinen bowies sechs studioalben aus den jahren 1969-1973 einzeln auf 180g vinyl, die bereits im umfangreichen box-set david bowie five years 1969-1973 zu finden waren, welches im september 2015 erschien.
für die alben space oddity, the man who sold the world, hunky dory und pinups! wurde die remasterte version von 2015 verwendet, während für the rise and fall of ziggy stardust and the spiders from mars auf das 2012er remaster bzw. bei aladdin sane auf die remasterte version von 2013 zurückgegriffen wurde.

wonderful 1970s p.c.p inspired 20 track. compilation featuring a highly charged mix of psych funk, prog, afro, glam, cosmic, rock and disco. some very rare pieces on here such as the cosmic reggae inspired 360 degrees, the groovy psych prog of the creative craniums and the raw prototype psych funk of kid rock (not that one). others will be better known to lovers of a more progressive dancefloor such as soundforce and diabolic man which has long been a big spin for dj harvey and lovefingers alike.

cobblestone jazz founding member danuel tate is back on the solo tip with his newest project for wagon repair - wag055 >doesnt like you back ep< - and this time, probably as a result of spending so much time on the road with bandmates mathew jonson and tyger dhula, he is bringing it harder. although some familiar elements from his first ep, >pushcard<, can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct. >doesnt like you back< reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isnt a bad feeling as long as you like dancing with super hot women.

october 2009 heralds the release of 5, a double cd marking hyperdubs five years of life as a record label. honouring past, present and future in equal measure, 5 is comprised of one disc of prior highlights, and one of freshly composed material contributed by hyperdub artists and close friends. a series of five 12inch eps featuring a selection of the new tunes will be issued, one per week, leading up to the release of 5. the initial pressing quantity of these eps will be dictated by preorder demand, and none will be repressed, nor will they be made available digitally, before the complete cd collection is on sale.

for the 5th installment of adultnappers illustrious ransom note, we welcome into the fray paul kominek, otherwise known as pawel (dial/orphan ear) with two sublimely beautiful compositions of modern electronic music. there is not many words to describe the feeling of these pieces. they run deep into the soul of house and techno. moving, yet intelligent, pawels plaintive take on dance music is unique in sound, but profoundly universal in feeling, connecting to emotions that seem rare these days on the dance floor. with powerful peak time remixes by new yorks alexi delano and brendon moeller, ransom note part five should make some noise in the coming months. from the desk of adultnapper, as inspired by lines and curves… as you well know, parallel paths are foreordained entities of diversity. as they travel further away from their origins, the more attraction tends to set in, not as a spiritual mechanism, but, rather, as a physical replication or limitless mimicry. one trajectory makes reference to the other, leading to a barrier, a zero crossing, some sort of cessation of thought. lines become curves and act as waking agents for the soul as it approaches its limit. sometimes this process is disrupted, as is the case this time. i have lost something on the way and i seem to be stuck in the place where i lost it. i feel anchored here and need to find a way to move again. there is not much time.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

2009 is quite obviously sven tasnadis year, having already released five eps this year on cream-of-the-crop labels like pokerflat, ornaments and liebe*detail. each ep revealed a new facet of the leipziger, riding the nuances between the 4/4 beat. after his ep >down under influence< with juno6 in spring 2009, tasnadi now dishes up his new solo ep on cargo edition. >what we do< is a classic housetrack - very deep and peppered with vocal shots that hold the tension of the track over its whole length. it s smooth, yet deliciously rough around the edges. >amour fou< on the b-side surprises with a very compact rhythm - around the driving bass drum fly percussive elements, all tied together by a reduced bassline, some interspersed vocal samples and deep chords.

exclusive triple vinyl package with finest house made in londeon!!

second part of the family tour with simon beeston, mihai popoviciu, todd bodine, phage and daniel dreier!!

excellent 3 track jubiläums 12 inch mit einer leckeren techno auswahl, von ziemlich raw - prime time zu bestem techno dub (salz rmx)

this is the latest heatrock from atlantic conveyors super boutique untracked label and the sequel to frank bookers underground hit debut: the brothers ep. with the likes of todd terje and recloose charting the debut in their top five, this record has seeded some serious expectations. no worries there, this record totally delivers. paper cuts is kaleidoscopic sun dappled house music, with production worthy of a metro area record. get on is heavy hitting 3am disco with a drop that is...total finesse. its strictly limited (as always) and pressed on 180 gram vinyl.

nice price deal !!! solotempos new ep basks shamelessly in catchy harmonies, indulges in bassdrums and wallows in the beauty of analog sounds processed with precision. >new ears< is firmly rooted on the dancefloor. on this particular dancefloor you re plunged into descreetly arranged, hypnotising house and minimal tracks, which don t simply sit on their beat, but gracefully summersault again and again, creating those unique moments of eternity. fittingly, solotempos sounds should work best on springy forest soil, at around four or five in the morning when dawn breaks and the sun rises.

technopassion release number five delivers a tremendous blast of techno sound from george le nagelaux that no one can resist. the a side features a massive remix from belgiums ambitious techno star stephane signore. he made a truly energetic version of no resistance that goes forward with melody driven raw power. surely one of the top tracks of the year! the b side features the straight funky original version and our species will not survive , a track that is, as the name suspects, pretty dark. rumbling bass, catchy oldschool synthlines and propulsive beats are the outlines of this piece. no resistance ep is a solid, rhythm packed bundle of uplifting techno music, so go and get your vinyl copy of this one before its out of stock!